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History of RSCM


Top Right: Buller's Wood, Kent Source

Top Left: Sir Sidney Nicholson Source

Bottom Right: Duke University Chapel Source

Bottom Left: Sarum College Source

From the official RSCM website:

On the initiative of Sir Sydney Nicholson, then organist of Westminster Abbey, the School of English Church Music (SECM) was inaugurated at a meeting in the Jerusalem Chamber of Westminster Abbey held on 6 December 1927, the feast of St Nicolas. It was to consist of a training college for church musicians (the College of St Nicolas), and an association of affiliated churches who committed themselves to attaining high standards.

The School was housed at Buller’s Wood in Chislehurst, Kent. The college opened there in 1929 and continued until closure was forced at the outbreak of war in 1939 when most students were called up for military service. During those first ten years, major choral festivals were held triennially in London (1930 at the Royal Albert Hall, 1933 and 1936 at the Crystal Palace) and the number of affiliated churches rose to 1300 worldwide. Throughout the war Sir Sydney continued his itinerant teaching at diocesan and parish level from a base at St Michael’s College, Tenbury, and then from Leamington Spa.

In 1945, by command of King George VI, the SECM became the Royal School of Church Music (RSCM). Canterbury Cathedral allowed the school to function within the precincts of the cathedral, and the College of St Nicolas re-opened there in January 1946. By 1952 over 3000 churches were affiliated.

The current administrative center of RSCM is at Sarum College in the close of Salisbury Cathedral. The current RSCM president is Hugh Morris. The current administrative center of RSCM America is at Duke University Chapel in Durham, NC. The current RSCM America president is ​Michael Smith.


The RSCM is seeking to enlarge its ecumenical mission, to serve the needs of its affiliated members and the wider Church, to develop first-class resources, and to continue to train and educate musicians and clergy to make best use of music in worship. 

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